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| Agostino dei Musi after Raphael Group of figures from The School of Athens early 16th century engraving Victoria & Albert Museum |
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| Peter Paul Rubens after Raphael Figure from The Fire in the Borgo 17th century drawing British Museum |
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| Marcantonio Raimondi after Raphael Venus extracting a thorn from her foot early 16th century engraving Victoria & Albert Museum |
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| Marcantonio Raimondi after Raphael Raphael's Dream early 16th century engraving Victoria & Albert Museum |
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| Marcantonio Raimondi after Raphael David with the Head of Goliath early 16th century engraving Victoria & Albert Museum |
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| Anonymous print-maker after Raphael Sibyl reading with Torch-bearer ca. 1520-40 engraving Ashmolean Museum, Oxford |
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| Giacomo Cavedone after Raphael Combating Figures 17th century drawing Ashmolean Museum, Oxford |
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| Raphael after Michelangelo Statue of David from the back ca. 1505-08 drawing British Museum |
Michelangelo completed his statue of David in 1504. It became immediately famous, as it has remained ever since, and the young Raphael drew it from several angles. Raphael's intention was NOT to render any kind of accurate reproduction, but to assimilate this new work to his own purposes – "he modified the proportions of the head and the hands and altered the pose so as to give more flowing elegance to the line."
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| Raphael after Michelangelo Figure study after the statue of David ca. 1505-08 drawing British Museum |
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| Raphael Study for the Disputa ca. 1508-09 drawing British Museum |
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| Raphael Study for the Entombment ca. 1506 drawing British Museum |
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| attributed to Raphael Studies of the Belvedere Torso early 16th century drawing Ashmolean Museum, Oxford |
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| Raphael Hercules overpowering a lion early 16th century drawing Ashmolean Museum, Oxford |
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| Raphael Studies early 16th century drawing Ashmolean Museum, Oxford |